My natural neo-impressionism neither in its philosophical justification, nor in its artistic methods comes in touch with the works of Georges Seurat and Paul Signac. Moreover, it is opposite to their views, that declaratively denied the emotional art and were based only on scientific theories.
My articles and practice of my art form the concept of neo-impressionism, melted into the purest form of ingot of artist's sensations in contact with the environment: in the present time, without relying on the experience and without outside influence.
Giving birth to a picture of "pure experience", instead of the desired satisfaction I feel a certain disappointment: dualistic phenomenon 'the artist - the world" today is not satisfied with fixation of aesthetic catharsis. Today you need to bring emotion multiplied and raised to the degree of breathing fire! And even better - its squeezed energy concentration, a dynamite of energy extracted from the instantaneous flow of sensations. Time stepped over the genuine product of natural effects of Impressionism, and through the pores of my paintings comes out the ENERGY, the transmission between the divine flow and every human. Being a higher energy accumulator, a painting, is a neurasthenic art reflection on the global energy issue.
I am stating the fact: I can not hold the course of "pure Impression" - intrusive present time disturbs the perfect reflection of my emotional waves. Rebellious nerve of 'neo-impressionist art energy' is pulsing.
Anatoliy Tartakovskiy, 2012.